Choreography by Sara Maurizi
In collaboration with dancers: Joséphine Auffray, Tommy Cattin, Jon Werede Hope, Viola Ranghino, Jay Yule
Can art give us the illusion of infinite pleasure?
From Dante’s Inferno to Alexander McQueen’s “bumster,” the work interrogates the intertwined concepts of pleasure, desire, and sin, tracing how they are constructed, aestheticised, and embodied.
Part of the final practice-based dissertation for the BA in Contemporary Dance at Trinity Laban.



